Montage bob easily disguises his secret plots; Montage plans on planting books in fellow fireman’s houses in attempt to bring down this dyspepsia government. The author depicts his heroism through the use of word choice, imagery, symbolism, and characters’ actions. Throughout the novel, Montage faces a great deal of tough situations which led to tough decisions. He forces himself to walk away from his wife, kill his boss, and much more. The author descriptively depicts Montage heroism. The author’s use of informal word choice creates Guy Montage heroic traits. There must be something in books, things we can’t imagine, to make a woman stay in a ruining house; there must be something there. You don’t stay for nothing” (51). Montage cannot figure out why those books meant so much to that woman. He feels that if she were to stay in a burning house for them, there must be something else there that he missed. Montage stands up for a cause that he isn’t even sure of. He knows there is something there, but he doesn’t know what. This is heroic because Montage takes a risk.
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It may seem easy to take risks such as this one, but in his society, things are a lot different. Taking home books and reading them is a crime that will be punished with Jail time. After making the decision to commit to this idea, Montage loses his temper and shows his wife. “When he was done he looked down upon some twenty books lying at his wife’s feet” (66). After getting into an argument with his wife, Montage pulls out about twenty books from his hiding spot. Montage cannot listen to his wife anymore. He wants to break through to her and try and save their marriage.
This makes Montage heroic because he disobeys the law for something he believes in and because he attempts to save his marriage while his wife doesn’t even try. The author’s use of visual imagery creates Guy Montage heroic traits. No excuse, though, no excuses. A fool, a damn fool, go give yourself up! (122). Montage is torn between two decisions. Part of him stands up for what he believes in and what he believes is right, and the other thinks he is a fool and should turn himself into the police. Montage is heroic for breaking the law for something he believes is right.
In his society no one even bothers to go out of their way for anyone but themselves. Montage is different; he wants to stand up for something that he believes in, something that nobody even bothers to question. Montage is a true hero for standing up against one of the largest forces in his society. The men walked clumsily to the door. They glanced back at Montage. Who stood near the woman. You’re not leaving her here’ [Montage]” (38). One day on the Job, Montage team got a call too house. A lady was there and she had a large number of books, when Montage team set them on fire, the lady refused to leave.
No matter what they said, let her burn. In the end he forced himself to leave. The author’s use of visual imagery in this scene depicts Montage’s heroism; he refused to let that woman die. The other fireman walked away from the woman without even batting an eye. Montage stayed and attempted to save her. The author’s use of contextual symbolism creates Guy Montage’s heroic traits. “… No longer a human or known, all writhing flame on the lawn as Montage shot one continuous pulse of liquid fire on him [Beauty]” (119). Montage was left with no choice, but to kill Beauty.
Either he sacrificed everything he has worked for and let Faber lose his life too or he killed Beauty. Beauty death symbolizes the end of Montage life in that society. From there on out, Montage had to hide from the police and anyone who could potentially turn him in. His decision to kill Beauty portrays him as heroic because he made a tough decision that most wouldn’t make. Montage’s decision to kill Beauty makes him heroic also because he saved Faber from being arrested. Montage killed a good friend to save Faber, a man he has known for a week or two.
As a true hero, he saw which person was more important to him and he made the tough decision to kill one of them. He stopped at no cost to stand up for what he believed in and that makes him truly heroic. Along with the end of his relationship with Beauty, Montage also ruined his relationship with his wife. “Let me alone,’ said Mildred. ‘l didn’t do anything” (52). Montage and his wife, Mildred, have been struggling lately with their marriage. Montage has been ongoing everything he possibly can to keep it together and Mildred isn’t even making an effort.
Montage finally breaks down and shows her all the books that he has been coveting in the air duct in their house. Mildred doesn’t know how to react when she sees the books. She wishes that Montage wouldn’t drag her into his own mess. She does not want to be involved with whatever he schemes. This scene symbolizes Montage heroism because even when his wife disagrees with what he does, he still persists with his beliefs. A true hero would have made this decision. The author’s use of the character’s actions portrays Montage as heroic. “My wife’s dying. A friend of mine’s already dead.
Someone who may have been a friend was burnt less than twenty-four hours ago. I the only one I knew might help me” (81). When Montage recalls a professor he met a few years ago, he knows that he will want to Join in on his plot to rebel against the government. Even if the professor doesn’t want to, he can at least share his knowledge with Montage. When Montage finally gets to the professor’s house, the professor is a bit skeptical of letting him into his house. He feels as if it is some sort of trap. Finally after the professor, Faber, lets him into the house, Montage shows him one of the books he has.
After examining the book, Faber determines it is the last copy of the Holy Bible. Out of all the books the government wants to destroy, the Holy Bible is on the top of the list for the government’s priorities. The Holy Bible promotes the kind of thinking the government feels threatened by. It creates unity and faith which leads to thinking and questioning. Montage is heroic for teaming up with Faber because in this decision, he finally makes the transition from his normal life to his new life as a criminal. His new life is one where he stands up for what he believes in. Want to Join us, Montage? [Montage replies] Yes” (150).
After successfully evading the police and mechanical hound, Montage travels in search off railroad. According to Faber, railroads are where old professors and they accept him. This makes Montage heroic because he finally pursues what he has worked so hard for. With his new group of rebels, Montage can finally start his plan. These intellects will make his goal very reachable. In the novel, Fahrenheit 451, by Ray Bradbury, Guy Montage is portrayed as heroic through the author’s use of word choice, imagery, symbolism, and connotation. Throughout the novel, Montage faces with challenges, getting in the way of his goal.
He forces himself to kill his boss, betray his coworkers, leave his wife, and run away from anyone he knew. He faces the challenge of evading the mechanical hound and he successfully does it. He finally meets a group of scholars and gets closer to saving the world from the overprotective government. Throughout the novel his heroic trait is revealed. Whether it was shown when he left his wife, or disobeyed the law, his heroic trait was prominent. He always pulled through and made the right decisions. Montage is portrayed as heroic through the many choices he made in the course of this novel.